Formation of the Figurines

The really exciting part was placing the figurines. At first I did feel a bit disappointed, I’d grown to like the plinths on their own, but I soon realised the potential of the figurines and remembered their role in the work as a “language of objects.” I continued to move the figurines around, sticking mostly to the plan; I placed the magnolia figure in its place, surprisingly adding an extra magnolia figure which wasn’t my original intention. I chose to face this in the opposite direction to encourage the viewer to walk around the work and inspect it. It’s at this point I also swapped the pink and blue plinth- I remembered that I had two matching figurines that I intended to face one another, encouraging a link in the collection as a whole. The cast figurines also needed to be separated which was why the pink plinth needed separating from its neighbours. I chose not to centre all of the figurines playing around with the idea of an art object rather than a museum display. I’m also pleased to see that my measurements added up and the figurine heights measure up to the heights of their corresponding plinths.

Resin Casts

I have to say I am extremely proud of these beauties! All the hard work put into the mould making has paid off! Using a clear resin, I’ve poured this into my mould then added two different pigments to each cast- opting for a brighter look the second time round. Adding the pigment at the end of the pour I then drip the colour into the mould from a height. The height at which I pour determines the depth which the colour can reach. The way the colour almost just stops at her skirt I think is just beautiful.

Matthew Darbyshire

So the idea of the collection begins! Like I said I’m really excited about this idea. I hope to make a multitude of plinths, their décor style will each be different; some may be very minimal, some over exaggerated and some will show the traces left behind after my decoration. The plinths will range in height. Some will host my grandmas figurines, or casts of these figures and I may even include some of  the magnolia figures I made earlier this year. I hope to leave some plinths without figurines- establishing the idea that the plinths resemble architectural walls.

I also want to mention here the work of Matthew Darbyshire. A big influence in terms of the collection that I’m intending! After being recommended his work I instantly saw the potential of my work being seen as a collection. In the piece above titled- “Exhibition for Modern Living.” Darbyshire accumulates a multitude of modern objects,  The audience is allowed to explore each object, taking in their purpose or lack off it and discover their ultimate tackiness; all the while they are being made aware of consumer capitalism and our taste choices as individuals and collectively.  I’ve also noticed in this image the layout of the piece; the viewer is allowed to step into the space, weave through and come out at the other end. This is the affect I hope to achieve in the layout of my plinths- enough room for my viewer to walk around the figurines and explore their secrets.

Salmon Pink

Deciding that the salmon pink was definitely going ahead, I plucked up the courage to get painting! It really did look good! Just like I’d hoped. It was just as I was packing away that I spotted this ugly looking fella on my desk. I wondered what this figurine would look like against the salmon pink? Would his blazer clash too much? Or be spot on? I’d been really set on the lady with her hands on her hips for this plinth but there was something about this figure that I really liked. The ornament itself is absolutely hideous! – Maybe that just acts as an extra bonus. Also how good does the white wood top look?! Very slick.