I really enjoy the plinth with torn wallpaper on its own, but with the figure on top it loses its appeal. The figure gets lost and is no longer the central focal point. If I am going to leave the section at the bottom it’s going to be have to be very subtle and it could be criticised that I’m trying to replicate reality again however it could compliment the figures.
Back in the studio today to check on the drying process! As its dried it’s captured all the details! I think it’s fantastic! I had a chat with my lovely friends today to see what they thought about the piece and what they think my next step should be. Surprisingly they liked it just how it was! They liked the white wallpapered plinth. I mentioned that I was thinking of painting over the wallpaper in the hope that this would portray what I’m implying with the figure- that time gone by. Helen said it looked like I’ve already gone over it WITH the white wallpaper so maybe that’s the idea. From this discussion and seeing the piece dry on the plinth today I’ve decided I like it too much just the way it is. So I will show this next week and see how people perceive it. Now I just need a title! Suggestions were made for Grandma or my Grandma’s name Kathleen but I feel this is too personal. Perhaps that title I used for the emptying process of my grandma’s house: The Home of Nobody? I want imply this time gone by, but without making the audience think of the objects in terms of fashions of the home, which I feel could happen with such a simple title.
After using the wallpaper plinth with the ornaments as they were, I wanted to see how the wallpaper changed the perception of the magnolia covered figure. There was something just not quite right about the way they looked together, the white and magnolia clashed too much and the clean cut look didn’t match what I was trying to say about replacing that time gone by. I’m considering maybe scrapping the wallpaper partly away and then painting over this section with magnolia? Leaving it like a half unfinished effect. I really enjoy the magnolia covered figure and possibly seeing this piece as a piece on it’s own, but how would I show it? I feel I’m almost there with this piece but not quite.
So next on the list of Blogging is the wonderful Chelsie Purdue. I had the great pleasure in helping out this lovely lady with her degree set up before I finished for the summer. It was a fantastic experience helping out; I learnt some valuable skills and got some great advice in the process. I approached Chelsie after seeing her work at the Backlit show GLOSS, I thought that work looks bloody good and it relates so well with my current practice! I soon found that we both had pretty similar interests in our practice and began advising good books to one another. When I asked Chelsie if she would like a hand with her degree show she was more than happy to accept. Note to self gain helpers early on! You will need them Rachel! Creating a degree show on your own is impossible.
DOTS were the main task involved in Chelsie’s degree show setup. We were set to attach a multitude of tiny acrylic laser cut dots, less than 1cm in size, to the wall using some super strong glue- an extremely fiddly job! Each dot had to be in the exact right place but luckily we devised a template for that. Each dot formed a beautifully designed, by the artist herself, acrylic wallpaper setup. The wallpaper used intricate pattern detail and central to the design was an image of a stag. The wallpaper possessed a grandeur furthered by the use of the stag and the impeccable design. The white on white feel Chelsie envisioned felt contemporary with a clean finish. Although I wasn’t a part of the table design, accept from maybe helping with the carrying on delivery, I feel I should also mention that there was also a table, designed again by the artist herself, involved in the piece. The table also portrayed a stag figure; the table legs being that of a stag. The table also stood at irregular height. For most the table was at head height. Chelsie had hoped that the viewer would almost feel like a child when approaching the table, Placed on the table were a handmade set of golden cutlery, finely detailed with animal heads. The whole set design had a certain “don’t touch” effect- a show room of design
So just a quick reminder to self for future reference seeing many of the 3rd years in crisis at the last minute.
- Try not to make something too fiddly.
- Think about the TIME allowed in making- something less time consuming and manageable.
- Stick to what you know Rachel.
- PLAN, research prior, experiment prior- work on something that went well.
- Plan time to the day leading up to degree show set up.
- Gain help from lower years early.
- Gain lots of feedback from tutors.
Easier said that done I know!
On the last note would like to say thank you for your wonderful company Chelsie, and our endless conversations about life whilst dotting. You made me think outside the box on future career plans and inspired me for next year. Wishing you all the luck in your future!